The Touch of the Master's Hand
 
 
 

"was battered and scarred, and the auctioneer
Thought it scarcely worth his while
To waste much time on the old violin,
But he held it up with a smile.
"What am I bidden, good folks," he cried,
"Who'll start bidding for me?
A dollar, a dollar - now who'll make it two _
Two dollars, and who'll make it three?

"Three dollars once, three dollars twice,
Going for three". . . but no!
From the room far back a gray-haired man
Came forward and picked up the bow;
Then wiping the dust from the old violin,
And tightening up the strings,
He played a melody, pure and sweet,
As sweet as an angel sings.

The music ceased and the auctioneer
With a voice that was quiet and low,
Said: "What am I bidden for the old violin?"
And he held it up with the bow;
"A thousand dollars - and who'll make it two?
Two thousand - and who'll make it three?
Three thousand once, three thousand twice
And going - and gone," said he.

The people cheered, but some of them cried,
"We do not quite understand -
What changed its worth?" The man replied:
"The touch of the masters hand."
And many a man with life out of tune,
And battered and torn with sin,
Is auctioned cheap to a thoughtless crowd.
Much like the old violin.

A "mess of pottage," a glass of wine,
A game and he travels on,
He's going once, and going twice -
He's going - and almost gone!
But the MASTER comes, and the foolish crowd,
Never can quite understand,
The worth of a soul, and the change that's wrought
By the touch of the MASTER'S hand.

~Myra B. Welch

 

 
Rosemary's violin.
 

We listen to this poem being recited on a Gaither Homecoming tape, by a bass singer who used to sing with Elvis. It's "touching". I found one aging copy of it on a two page pamphlet cleaning up around here...with a little sermon with it re. "has His hand touched you?" I like the poem because it reminds me so much of my fiddle that Grandpa Fippin gave me. It was my uncle Roberts at one time. Grandpa went underneath his house in Smartsville and when he gave it to me it was coming apart. It had been played so much that there were ridges worn under every string on the finger board. You know my father was pretty creative so he read up on violin making and he took it apart and glued it back together and sanded the ridges out of the finger board. He didn't refinish it for fear of ruining the tone.

It is a 3/4 size which is excellent for me with my gimp hand that I almost cut off when we lived on Banner Mountain. An orthopedic surgeon I met at the Summer Arts Festival in Fairbanks, Ak. marveled that I could play the violin as well as I can.  I think that was one reason Mrs. Luschen used to convince my mom that lesson on playing violin would be good for me -to keep my hand limber. My uncle's wife was so concerned about that fiddle it made me uncomfortable. I think he was glad I got it but I never did ask him where he got it from. So I can only imagine a mystery...it is a Hopf..German violin maker.

I think it's is so cool that I am using it with the Fruit Jar Picker band to help raise money to restore the Fippin blacksmith shop which was built by my great great grandfather John Single who came from Germany. 

The old Fippin blacksmith shop at Rough & Ready.

 

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